January Staff Picks

Wel­come to 2026! Start the new year off strong with this mon­th’s staff picks.

In need of more rec­om­men­da­tions? Check out past Staff Picks on our What We’re Read­ing page, or com­plete a short form and we’ll email you a list of per­son­al­ized recommendations.

Jill says:

Cap­ti­vat­ing and dev­as­tat­ing in equal mea­sure, Artis Henderson’s No Ordi­nary Bird tells the aston­ish­ing true sto­ry of the author’s father, a skilled pilot who court­ed dan­ger as a drug smug­gler. Hen­der­son traces her family’s rise from a strug­gling, work­ing-class life marked by heart­break and near-con­stant uncer­tain­ty to a glit­ter­ing exis­tence of pri­vate planes, island homes, and a lav­ish retreat in the Geor­gia moun­tains. How­ev­er, every lux­u­ry is shad­owed by her father’s entan­gle­ment with drug car­tels – and, per­haps, the FBI. As Hen­der­son pieces togeth­er her family’s past, she leads read­ers toward the night and flight when every­thing changed. No Ordi­nary Bird is a haunt­ing exca­va­tion of fam­i­ly mythol­o­gy, loy­al­ty, and the cost of secrets.”

Kady says:

Orig­i­nal­ly pub­lished in 1929Pass­ing is the sto­ry of two light-skinned Black women. One has remained in the Black com­mu­ni­ty, while the oth­er is pass­ing as a white woman and is mar­ried to a white man who has no idea about her past or racial her­itage. Alto­geth­er, it’s few­er than 100 pages of con­ver­sa­tion and soci­etal niceties in liv­ing rooms, at restau­rant coun­ters, and in the occa­sion­al ball room. Almost noth­ing actu­al­ly hap­pens, but about halfway through, the ten­sion starts to ratch­et up, and by the end, you’re on the edge of your seat as the book winds its way to its inevitable con­clu­sion. Almost a cen­tu­ry after pub­li­ca­tion, Pass­ing remains a stel­lar exam­ple of eco­nom­i­cal plot­ting and tight pac­ing, with not a word wast­ed or out of place.”

Alli­son says:

I didn’t expect this book to impact me as much as it did. It’s about April, a young woman who grows up feel­ing unwant­ed and ends up on the road, try­ing to fig­ure out who she is and where she belongs. It’s less about the places she goes and more about the peo­ple who shape her along the way. What I loved most was how real it felt. April isn’t per­fect, and her heal­ing isn’t quick or easy. The painful moments hon­est­ly made me like the sto­ry more. The found-fam­i­ly rela­tion­ships, the friend­ships, and the role music plays in her life all felt gen­uine. This is an emo­tion­al read that touch­es on some heavy top­ics, but it’s also warm and hope­ful in a qui­et way. If you like char­ac­ter-dri­ven sto­ries about belong­ing, growth, and find­ing your peo­ple, I’d def­i­nite­ly rec­om­mend this one.”